I like it when you stumble across things. I’m one of life’s bumblers with no grand plan, this can of course be infuriating for me and others at times but on balance it really works. It’s a particularly good way to enjoy cities so instead of a must see list and charging round at the speed of light so you can cross things off said list, I find it much better to have a vague idea, somewhere to sort of aim at but it doesn’t matter whether you get there or not. This way, while you have a sense of direction, the journey is somewhat more haphazard and as a result you see more things along the way.
I hadn’t planned to go into Tate Modern the other day but as I was ambling up the south bank having spent a very enjoyable few hours in it’s older sibling Tate Britain and in particular at the Fighting History exhibition I thought it would be good to pop in and see what was in the Turbine Hall, also I needed the loo. I really wasn’t sure what was going on at first as hunched, veiled figures were holding books, scribbling on the floor. On closer inspection I’d stumbled across an artistic protest which was kind of spookily ace seeing as I’d just come from an exhibition featuring radical protest art and artists trying to interpret key moments in history. Climate change and dependence on fossil fuels will surely be a key moment in our history and here unfolding in front of me was conflict, protest, an artistic act that seeks to make sense of this moment and affect change.
The group doing the scrawling were Liberate Tate who are a group of artists protesting about BP’s sponsorship of the gallery. They have done a number of other artistic protests but in this one they were occupying the turbine hall for 24 hours (to coincide with the tidal movements of the Thames) and were using charcoal to inscribe passages and slogans from dystopian novels, climate change reports, non fiction books that provided a thought provoking narrative.
Should public institutions be tied to companies driving climate change? At the very least it should be very clear what investment is being made and it seems very odd that it took a three year legal battle to get the amount that BP invests in the Tate made public, and the amount ? £224,000 a year apparently which, while being a not inconsiderable sum of money, makes up only 0.3% of the Tate’s operating budget. Food for thought I think.
I don’t know what happened when the gallery was due to close, would the security guards move in or would the group be allowed to stay and continue their silent protest, quietly scribbling away?
I’m glad that I stumbled across Liberate Tate.
I must admit I love it when the kids pick a shape for the photofun challenges as it opens up so many possibilities and interpretations and this was definitely the case with their choice of pattern for halftermphotofun. It’s almost impossible not to look up (or down) and see some sort of pattern, be that in nature, architecture, or something you have just created, and this was clearly reflected in the range of photos that were sent in. I must admit however that I was scratching my head for a bit with the photos of Pat Butcher and a Tern that came in from the same person until of course you put them together. It got me thinking generally about pattern and patterns and how our everyday lives are themselves a pattern of similar routines stitched together into one narrative and I’d have liked to have somehow seen a graphical representation of my life as a pattern.
Do click on the gallery to open it then you can scroll through the photos as they came in, which ones do you like ? and can you spot the mushroom which I really liked. Be they regimented or random I thought that this was a great selection that you all sent in, and as always thanks so much to all of you who took part.
The next one we do will be the main one where it all started #summerphotofun running for 6 weeks over the summer. Keep your eyes on my twitter @ianstreet67 or the hashtag and play along with us.
I thought the kids picked two great themes over the Easter holidays, firstly with Point and then with the theme of Symbol for the second week, a theme that was so open and of course you did not disappoint by sending in all sorts of interpretations. When you think about it symbols are everywhere around us, guiding us on everything from finding our way around maps to the washing instructions in our smalls, there are totemic symbols of power and powerful symbols of peace or revolution. As I’m writing this each letter is of course a symbol that combined provides us with our written word which is perhaps the most powerful symbol of all as it contains within it the passport to the combined weight of human knowledge. Not bad for a collection of marks.
Huge thanks to everyone who contributed across the week and for taking part and playing along with our social photography themes, it really is appreciated. Do click on the gallery so that you can flick through the photos as they were sent in and let us know which ones you liked. Can you spot all the symbols? We’ll be back for halftermphofofun in June before the big one over the summer if people still want to play along.
Point has been the first theme for the two weeks of EasterPhotoFun set by the kids and as always you have sent in some lovely interpretations, some very obvious points others indicating low points for example. I loved the railway point, knitting needles, ballet shoes, pens/pencils and must give a biased shout out to one of my kids for her photo of the picture frames that I thought was a really good interpretation.
However my fav was I think the photo of Verity, the mammoth 20m sculpture by Damien Hirst that looks over Ilfracombe harbour. A pregnant woman, holding the scales of justice, standing on a pile of books and wielding a large sword. This was the largest sculpture in Britain when it was put up in 2012. I’ve never seen it in the flesh but standing higher than the Angel of the North this must be some sight. Whenever I see things like this it always makes me angry that Leeds turned down the option to have our own massive brick man sculpture (before the Angel of the North) that was proposed by Anthony Gormley. However Verity is surely the most perfect interpretation of point, not least of course from the sword in her hand but from the viewpoint that many people will have of this and other modern art when they ask what’s the point.
As always many thanks for all who have chipped in with your interpretations it’s been a really fun week. Do click on the gallery and you can scroll through the pictures in the size they came in. Do let us know which ones you liked.
The kids picked Arch as the theme for #Halftermphotofun and in my mind I thought, ah it’ll just be all bridges and churches and while we certainly got some of those we had lots of other great interpretations proving yet again that my kids know better than I do. The humble arch is, once you start looking, everywhere around us both in nature and the built environment as it it is the building block to so much of the world around us from an architectural point of view. Writing that sentence I’ve just noticed that architecture begins with arch ! I did know that there were different styles of arch but didn’t realise that there were quite so many designs, I think I came across about 15 styles doing a little bit of research – the Ogee arch anyone ? I’m not sure how many styles we’ve managed to have represented here but quite a few I reckon.
What I particularly liked when you see all of the arches together here is how inquisitive it made me feel, what’s through there ? adventure ? mystery ? are they portals to another world ? and then there were the different interpretations, arch enemies/ rivals of the rugby team forming an arch in the scrum, the arch of the foot or the eye, the fun the little boy is having making an arch and I think it was this photo that made me put the family photo at the top, if you can’t find an arch you can just make your own.
As always thanks so much to all of you who took part contributing and interpreting throughout the week, it’s been great fun as always. I hope I haven’t missed any out but if I have then do get in touch and I’ll amend the gallery. We’ll be back for Easter, unless we throw a random weekendphotofun in so if you are reading this and want to take part then you are more than welcome, just follow me on twitter @ianstreet67 or keep an eye on the twitter hashtags #halftermphotofun, #easterphotofun, #summerphotofun etc you get the drift. Thanks everyone.
There has been a trend when it comes to the architecture of art galleries that the gallery becomes a piece of art in it’s own right and perhaps is sometimes of more interest than the art inside it. I can remember having this discussion when I was in Rome with a few friends and we went to the MAXXI designed by Zaha Hadid which carries on a trend perhaps started by the Guggenheim in Bilbao. Closer to home the Hepworth is a visually impressive piece of architecture as it appears to float on the river.
In Leeds the Henry Moore Institute is striking in a different way, although I go there regularly it’s architecture is not accessible, it does not draw you in in a welcoming fashion as it’s smooth black facade appears more like the outside of Darth Vadar’s house than somewhere you’d want to enter.
I was somewhat taken aback therefore as I walked past it today to see hoards of kids playing around the front of the gallery picking hunks of clay off a big mound and basically doing what they wanted with it including covering the outside of the gallery as well as building sculptures, putting their names etc all around the entrance, steps and hand rails. It was a real what the ….. moment and just made me smile. I couldn’t do it justice in the photo but some have managed to throw blobs of clay right up to the top of the building. It’s totally anarchic, surreal and playful. Who knows the kids doing this might look at this building in a very different way now and might over the years start to venture inside, their journey into discovering sculpture ignited by splattering blobs of clay against the front of the gallery.
As I often do on a Saturday morning I popped into @coloursmayvary to check out the latest publications and give my eyes a visual treat with the lovely prints to buy. As well as being a gorgeous shop they often have stuff going on, the other week they had old school printing machines in there and they’d been running letterpress workshops, today there was this huge mural that you could get busy on. It’s been created as part of the run up to the British Art Show which is coming to Leeds in October and will apparently feature the largest collection of contemporary art in the UK. Prior to this there will be all sorts of activities in the run up to the launch.
The illustration / mural above is part of the lead in, it’s been created by three artists with a Leeds connection – Lucas Jubb, Jay Cover and Kristyna Baczynski – each one of whom has created elements that have then been generated by code to produce this huge mural. Apparently this is a new process called Generative Art/Design. We the public can then get involved and colour in the mural and when it’s complete it will tour round Leeds in the run up to the British Art Show.
Who doesn’t enjoy a bit of colouring in ? I found it quite hypnotic to sit there grab a pen and fill bits of the mural in, as you are colouring, little bits of the city appear – The Corn Exchange, Town Hall, Broadcasting House all connected in a random fashion (presumably due to the programming code) with swirls and a myriad of different shapes. As I was trying to stay between the lines (not always successfully) it made me ponder a bit about Leeds and it’s future and perhaps this mural represents the ideal vision where technology, collaboration and interaction form the basis for the city and it’s people to thrive?