Last nights boysbookclub was a vintage edition, a book that completely split opinion with scores ranging from 2 to 9 meaning that discussion was heated and varied throughout. We were, as we always are, looked after by the lovely staff of the Crosskeys and enjoyed sumptuous food (the venison and black pudding scotch egg was a thing of wonder) and wine while sinking our teeth into Amis’ latest book. It’s actually a really good experience to be able to thoroughly disagree with someone and argue the point back and forth but to do so from a position of respect for the other person which only deepens the bond on friendship between us. I left feeling thoroughly enriched.
If you can’t make it to the book club then you are need to submit a written review and while I have a very different view of the book than this, below is the fantastic review from Phil (@phildean1963) who scored the book 9 out of 10.
Before I read this book, the first question I asked is does the world need another holocaust book? The death camp Holocaust story has been told powerfully many, many times in film, book, stage and for me there has to be a very good reason to put the reader through it again. But after I’d read it, I had to re-appraise my view.
Firstly I have to say I found the The Zone of Interest one of the most brutal, empty, morally void, ambivalent and unflinching books we’ve ever read. At times this book was unreadable—in a good, bad way.
Amis is clearly a writer of real stature, a ‘proper’ author who uses words to massive effect (often ones I have to look up in a dictionary, so he must be proper). He’s that good. He perfectly captures the stark contrast between the captors and the captives – each suffering in their own way. I was reminded many times of Maus, a very different take on the holocaust but no less powerful.
I like at 1st how we didn’t know when the story was set. The picture gradually revealed itself, which usually frustrates but I enjoyed this reveal. Initially it could have been any time in history or the present day, which I’m sure was an intentional dramatic ploy.
The multi-voice narrative was bold, powerful and immersive. Confidently painting the darkest picture imaginable. Unusually, this was easy to navigate displaying the author’s prowess. The impeccable research and exquisite German cultural detail sat alongside horribly accurate concentration camp atrocity. I felt the book laid bare the German psyche: the reasons, the impact, the retribution, the horrific fallout and consequences of their actions. Amis casts an unswerving eye on Germany as a whole and whether involved directly in the mass murder or not, everyone is guilty by implication.
The notes at the end of the book were most enlightening: the immersion and desire to understand what happened and the philosophical arguments that to somehow understand why it actually happened actually validated the actions. These discussions actually helped me to make some sense of the book.
There was of course a mini drama being played out against the harrowing backdrop: Hannah, Thompson and Doll’s complicated relationships seemed at first petty and pathetic, annoying details set against the enormity of industrialised death. It seemed horrifically banal. But in the final chapters, the bitter love story developed into an insightful filter by which we could observe and understand how Germany came to be like this and the dreadful outcome. The relationship was unexpectedly but satisfyingly resolved in the end, in a typically and brutal fashion, the long, icy fingers of the past creeping into the present.
This book made for a truly unenjoyable read: not in the sense that it was hard to read or that it was laborious prose, but because to turn each page was to unearth inhumanity. In the end I didn’t want to turn the pages but I felt compelled to. At times I felt hollowed out by it. There was no triumph of the human spirit to be had here. The atrocities were laid bare, responsibilities clearly handed out and the complicated aftermath only just beginning. Amis revels in the moral ambiguity of his characters, challenging the reader at every turn. At the heart of it were meticulously drawn characters – not sketches – but Leonardo-esque in their detail and accuracy.
I actually love reading history books about the Second World War: Anthony Beevor’s Stalingrad and The Second World War are immense and immersive accounts of man’s inhumanity to man (both credited by Amis I noticed in this book). But for me personally, the veneer of factual history literature protects me from the grab you by the balls detail of a novel, where the writer has unfettered access to our imagination—the imagined more powerful than the actual, for once.
And yet his book digs deeper. Gets under the skin of the Third Reich, using the collective German psyche as a prism for their actions; gradually, imperceptibly becoming truly horrific. The book maps out the moral maze Germany faced: everyone implicated from locals turning a blind eye to grey snow and the stench to corporates like Bayer, who still exist today in our everyday lives, quietly making products like Alka Seltzer.
It’s not often I wheel out words like elegant, intense, powerful, truthful. But this book is all of these. I’m not sure it’s ‘fearless and original’ as the blurb describes (back to my earlier point about does the world need another book about the holocaust) but In The Zone of Interestdemands the attention of the reader until the very last page and I’ve scored it high because the book held me in its vice-like grip to the very end.
Impossible to pick up, impossible to put down.